Uni-Media Press

Sony has announced the SLT-A57, a replacement for the original A55 fixed-mirror, electronic viewfinder DSLR. The A57 still features a 16MP sensor and LCD viewfinder but incorporates them into essentially the same body as the more expensive A65. Use of the latest Bionz processor means the A57 offers a wider-than-ever selection of photographic features and image processing modes. There’s also an optional HVL-LE1 video-lighting LED panel.

The A57 will have an MSRP of $799/€849, bundled with an 18-55mm F3.5-5.6 lens.

The HVL-LE1 has an output of 1800lux/0.5m with a color temperture of 5500K. It can be adjusted down to 10% of this output if needed. It comes supplied with both a Sony Alpha and ISO standard flash shoe connector, allowing its use with non-Sony cameras. Its MSRP will be $249. The LE1 comes with a warming filter (taking the output to around 3200K, and is compatible with AA batteries or Sony M or V series rechargeable battery packs.

Click here to read our hands-on Sony SLT-A57 preview

Sony Brings Pro-level Performance to Mainstream SLR Users with New High-Speed α57 Camera Featuring Translucent Mirror Technology

A wider palette of creative options is now accessible to more shooters with the α57 camera, the newest addition to Sony’s popular line of A-mount cameras employing Translucent Mirror Technology.

The innovative Translucent Mirror design directs incoming light to the CMOS image sensor and the AF sensor at the same time, allowing full-time continuous AF during both still and video shooting.  Users can also frame, focus and preview shots in real-time on the high-resolution Tru-Finder™ electronic viewfinder, which offers a wide viewing angle and 100% field of view. This allows photographers to capture exactly what they see on the screen.

A natural successor to Sony’s acclaimed α55 camera, the α57 is positioned for a wide audience of DSLR users. It can shoot still images at up to 12 frames per second, capture full HD video at 60p, 60i or 24p frame rates and has a variety of creative modes including Auto Portrait Framing, a world’s first technology

“Today’s DSLR consumer is looking for a higher level of control and flexibility in their camera,” said Mike Kahn, director of the Alpha camera business group for Sony Electronics. “With the introduction of the new α57, we’re bringing blazing fast response rates, enhanced artistic capabilities and other advanced features to the mainstream DSLR marketplace, offering professional-grade performance at affordable prices.”

With the α57 camera, shooting speeds of up to 12 frames per second are achieved in new Tele-zoom Continuous Advance Priority AE mode, maintaining continuous auto focus and auto exposure with fixed aperture. Magnifying the central portion of the sensor’s image by 1.4x, it’s perfect for capturing split-second action close-ups with a burst of sharply focused images, even when the subject is moving. In this shooting mode, aperture is fixed at either f/3.5 or the maximum aperture of lens in use (whichever is smaller) and image size of photos is about 8.4 megapixels.

Additionally, the α57 camera lets people create powerfully expressive Full HD movies. Responsive full-time continuous phase detection AF ensures that moving subjects stay sharply focused, just like with still shooting. Support for the AVCHD™ Ver. 2.0 (Progressive) format means that Full HD resolution movies can be captured with 60p frame rate: ideal for capturing smooth, blur-free action. Shooting in 24p is also available to give footage a rich, cinematic look. Movie-making options are enhanced further with full control over P/A/S/M shooting modes for virtually limitless creative expression.

The α57 model shares the α65’s 15-point AF system with three cross sensors delivering fast, accurate TTL phase detection autofocus. Newly enhanced Object Tracking AF keeps faces or other selected objects in sharp focus – even if a target is obscured momentarily by another passing object.

Even the novice photographers can now easily create pro-style portraits with the α57 thanks to new Auto Portrait Framing, a world’s first technology. Using face detection and the compositional ‘rule of thirds,’ the camera identifies a subject’s position, trimming the scene to create tightly framed, professional-looking pictures in portrait or landscape orientation while maintaining a copy of the original image. Saving both the original photo plus the adjusted version allows for easy comparison between the two images, offering photographers inspiration to refine their portrait skills.

To get closer to the subject, 2x Clear Image Zoom digital zoom technology doubles the effective magnification of your lens and is a highly practical alternative to travelling with a bigger, bulkier telephoto lens. The camera uses Sony’s “By Pixel Super Resolution Technology” to ensure that cropped and zoomed images retain full pixel resolution.

Additionally, the model’s range of popular in-camera Picture Effect modes includes 11 different effects and 15 total variations – offering a generous palette of ‘PC-free’ artistic treatments, including Pop Color, HDR Painting, Miniature Mode and much more. Results can be previewed directly in live view mode on the LCD screen or in the new Tru-Finder™ electronic viewfinder while shooting either Full HD video or stills.

Still and video shooting, framing, focusing and real-time preview of exposure adjustments are a pleasure with the new Tru-Finder™ electronic viewfinder. With ultra-detailed 1440k dot resolution and a 100% field of view, it rivals quality optical viewfinders. There’s a choice of selectable high-resolution information displays with a wide viewing-angle to help consumers shoot with confidence, including a digital level gauge and framing grid. Information can be displayed either directly in the viewfinder or on the angle-adjustable 7.5 cm (3.0-type) Xtra Fine LCD™ display.

Ensuring detail-packed images, the 16.1 effective megapixel Exmor® APS HD CMOS sensor is teamed with a latest-generation BIONZ® engine. Refined by Sony during the development of its flagship α77 and high-end α65 cameras, this powerful processor effortlessly handles large amounts of image data for flawless, low-noise images and Full HD video.

Thanks to the BIONZ processor, creative shooting opportunities are boosted by an outstanding sensitivity range of ISO 100-16,000. Users will experience consistently natural, low-noise images – whether shooting at fast shutter speeds to freeze dynamic action or handheld without flash in low light.

Pricing and Availability

The new α57 interchangeable lens camera will be available this April with an 18-55mm kit zoom lens for $800 (model SLT-A57K).  It will also be offered as body-only for about $700 (model SLT-A57). 

Sony will also be introducing a new battery-powered LED video light, model HVL-LE1, which broadens options for recording video indoors or in low light. This new accessory will be available this month for about $250.

The camera, camera kit and a wide variety of Alpha accessories are sold at Sony retail stores (www.store.sony.com) and other authorized dealers nationwide.

Sony SLT A57 specifications

Related Product:

Sony Cyber-shot DSC-HX200V 18.2 MP Exmor R CMOS Digital Camera with 30x Optical Zoom and 3.0-inch LCD (Black) (2012 Model)The Sony DSC-HX200V Cyber-shot Digital Camera lets you take high-quality shots anywhere easy. This point-and-shoot camera quickly produces vivid still... Read More >

Sony Cyber-shot DSC-HX9V 16.2 MP Exmor R CMOS Digital Still Camera with 16x Optical Zoom G Lens, 3D Sweep Panorama and Full HD 1080/60p VideoLet yourself go and rejuvenate your passion for photography with the Cyber-shot DSC-HX9V digital camera. Boasting innovative features like Full HD for... Read More >

Sony Cyber-shot DSC-W650 16.1 MP Digital Camera with 5x Optical Zoom and 3.0-Inch LCD (Black) (2012 Model)The Sony Cyber-Shot DSC-W650 Digital Camera (Black) is ready for anything--its 16.1MP resolution guarantees excellent image quality and the sharp Ca... Read More >

We’ve managed to get a bit more information about the Nikon D800E and have had a little longer to prepare our side-by-side comparison images, so have updated our preview. Nikon has given us more detail about how the D800E cancels-out the effect of its optical low-pass filter and we’re now able to show how the D800 compares to the D700 and Canon EOS 5D Mark II.

Click here to read our updated preview

Related Product:

The Digital Photography BookScott Kelby, the man who changed the "digital darkroom" forever with his groundbreaking, #1 bestselling, award-winning book The Photoshop Book for Dig... Read More >

The Art of Photography: An Approach to Personal Expression

This is an updated and newly revised edition of the classic book The Art of Photography (originally published in 1994), which has often been descri... Read More >

BetterPhoto Basics: The Absolute Beginner's Guide to Taking Photos Like a ProAbsolutely anyone can take better photos!
 
If you can press a button, you can take great pictures. It’s as simple as that. In BetterPhoto Ba... Read More >

Nikon has announced the D800 and D800E 36MP full-frame DSLRs. The pixel count of the long-awaited replacement for the D700 means it also trumps the D3X as the highest-resolution camera in Nikon’s lineup. As well as the ‘stock’ D800, Nikon has also revealed a more expensive model, the D800E that will be free from the effects of an anti-aliasing filter. Aimed at studio and landscape professionals the D800E should theoretically begin to rival medium format digital equipment in terms of resolution.

Press Release:

EXPECTATIONS SURPASSED: THE 36.3-MEGAPIXEL NIKON D800 IS THE MULTIMEDIA HD-SLR THAT SHATTERS CONVENTIONAL RESOLUTION BARRIERS FOR MAXIMUM FIDELITY

The New Nikon D800 Offers Unrivaled Resolution and Features Designed for a Variety of Demanding Professional Photographic and Multimedia Disciplines, Videographers and Filmmakers

MELVILLE, N.Y. (Feb 6, 2012) –  Today, imaging leader Nikon Inc. announced the highly anticipated D800 HD-SLR, engineered to provide extreme resolution, astounding image quality and valuable video features optimized for professional still and multimedia photographers and videographers.  A camera with an unmatched balance of accuracy, functionality and image quality, the Nikon D800 realizes innovations such as a high resolution 36.3-megapixel FX-format CMOS sensor, a 91,000-pixel RGB Matrix Metering System, Advanced Scene Recognition System and many other intuitive features designed to create the preeminent device for the most demanding photo and video applications.

Whether shooting high fashion, weddings or multimedia content, Nikon’s highest resolution sensor to date, a groundbreaking new 36.3-megapixel (7360 x 4912 resolution) FX-format CMOS sensor, affords flexibility and astonishing image quality to satisfy a myriad of client requests. The Nikon D800 incorporates the latest 91,000-pixel 3D Color Matrix Metering III and the Advanced Scene Recognition System, coupled with an improved 51-point AF system for images with amazing sharpness, color and clarity. With its compact, lightweight D-SLR form factor and extensive video feature set, the D800 allows photographers to transition to multimedia to create an immersive story. Professional videographers will appreciate practical features that go beyond NIKKOR lens compatibility and Full HD 1080p video, such as full manual control, uncompressed HDMI output, and incredible low-light video capability. With this innovative combination of features, the D800 celebrates resourcefulness and a dedication to the flawless execution of an epic creative vision. All of this is driven by Nikon’s latest EXPEED 3™ image processing engine, providing the necessary processing power to fuel amazing images with faithful color, a wide dynamic range and extreme resolution.

“Whatever the project, visionaries need a tool that is going to help them stay on-time and on-task. The Nikon D800 re-imagines what is possible from this level of D-SLR, to address the needs of an emerging and ever changing market; this is the camera that is going to bridge the gap for the most demanding imaging professionals, and provide never before seen levels of SLR image and video quality,” said Bo Kajiwara, director of marketing, Nikon Inc. “The D800 is the right tool for today’s creative image makers, affording photographers, filmmakers and videographers a versatile option for capturing the ultimate in still image quality or full HD content, with maximum control.”

Extreme Image Quality

The new Nikon developed 36.3-megapixel FX-format (35.9 x 24mm) CMOS sensor realizes Nikon’s highest resolution yet, and is ideal for demanding applications such as weddings, studio portraiture and landscape, where there is no compromise to exceptional high fidelity and dynamic range. Nikon’s first priority is amazing image quality above all else, and resolution of this magnitude affords photographers the ability to portray even the smallest details, such as a strand of hair, with stunning sharpness or crop liberally with confidence. Photographers also shoot with the assurance of NIKKOR lens compatibility, because only a manufacturer with decades of optical excellence can provide the glass to resolve this kind of extreme resolution.

For shooting with minimal noise in a variety of lighting conditions, the D800 features a wide native ISO range of 100-6400, expandable to 50 (Lo-1)-25,600 (Hi-2). Nikon engineers have created innovative ways to manipulate light transmission to the sensor’s photodiodes, giving users the ability to shoot with confidence in challenging lighting conditions.  Internal sensor design, an enhanced optical low pass filter (OLPF) and 14 bit A/D conversion with a high signal to noise ratio all contribute to a sensor capable of excellent low light ability despite the extreme resolution.  Every aspect of this new FX-format sensor is engineered to deliver amazing low noise images through the ISO range and help create astounding tonal gradation and true colors, whether shooting JPEG or RAW. Images are further routed through a 16-bit image processing pipeline, for maximum performance. To further enhance versatility, users are also able to shoot in additional modes and aspect ratios such as 5:4 to easily frame for printed portraits or a 1.2X crop for a slight telephoto edge. For even more versatility, photographers can also take advantage of Nikon DX-format lenses for more lens options and enhanced focal range (1.5X), while still retaining sharpness and details at a high 15.4-megapixel (4800×3200) resolution.

Contributing to the camera’s rapid performance and amazing image quality is Nikon’s new EXPEED 3 image processing engine that helps professionals create images and HD video with amazing resolution, color and dynamic range. From image processing to transfer, the new engine is capable of processing massive amounts of data, exacting optimal color, rich tonality and minimized noise throughout the frame. Despite the immense data, the new EXPEED 3 also contributes to energy efficiency, affording the ability to shoot longer.

The D800 also features the Advanced Scene Recognition System with the 91,000-pixel 3D Color Matrix Meter III to provide unrivaled metering in even the most challenging of lighting conditions. At the system’s core is a newly designed RGB sensor that meticulously analyzes each scene, recognizes factors such as color and brightness with unprecedented precision and then compares all the data using Nikon’s exclusive 30,000 image database. Additionally, this new sensor now has the ability to detect human faces with startling accuracy, even when shooting through the optical viewfinder. This unique feature is coupled with detailed scene analysis for more accurate autofocus (AF), Auto exposure (AE), i-TTL flash control and even enhanced subject tracking. The Color Matrix Meter also emphasizes priority on exposure of the detected faces, allowing for correct exposure even when the subject is backlit. Even in the most difficult exposures the D800 excels, such as maintaining brightness on a bride’s face while retaining the dynamic range to accentuate the intricate details of a wedding dress beside a black tuxedo.

Advanced new automatic systems make it even easier to capture amazing images. The camera features a new enhanced auto white balance system that more accurately recognizes both natural and artificial light sources, and also gives the user the option to retain the warmth of ambient lighting. Users can expand dynamic range with in-camera High Dynamic Range (HDR) image capture, and enjoy the benefits of Nikon’s Active D-lighting for balanced exposure. Another new feature is direct access to Nikon’s Picture Control presets via a dedicated button on the back of the body to tweak photo and video parameters on the fly, such as sharpness, hue and saturation.

True Cinematic Experience

The Nikon D800 has a compact and lightweight form factor that’s preferable for a production environment, yet is packed with practical and functional features. The D800 is ideal whether the user is a filmmaker on location or in the studio or a documentarian in the field who requires portability and the NIKKOR lens versatility and depth of field that only a HD-SLR can offer. Filmmakers have the choice of various resolutions and frame rates, including Full HD 1080 at 30/24p and HD 720 at 60/30p. By utilizing the B-Frame data compression method, users can record H.264/MPEG-4 AVC format video with unmatched integrity for up to 29:59 minutes per clip (normal quality). This format produces higher quality video data without increasing file size for a more efficient workflow. The optimized CMOS sensor reads image data at astoundingly fast rates, which results in less instances of rolling shutter distortion. The sensor also enables incredible low-light video capability with minimal noise, letting filmmakers capture footage where previously impossible or expensive and complex lighting would otherwise be necessary. Users are also able to have full manual control of exposure, and can also adjust the camera’s power aperture setting in live view for an accurate representation of the depth of field in a scene.  Whether shooting for depth of field in FX-format mode, or looking for the extra 1.5X telephoto benefits of DX mode, the high resolution sensor of the D800 allows videographers to retain full 1080p HD resolution no matter which mode they choose to best suit the scene. Users are also able to easily compose and check critical HD focus through the 921,000-dot, 3.2-inch LCD monitor with reinforced glass, automatic monitor brightness control, and wide viewing angle.

For professional and broadcast applications that call for outboard digital recorders or external monitors, users can stream an uncompressed full HD signal directly out of the camera via the HDMI port (8 bit, 4:2:2). This output signal can be ported into a display or digital recording device or routed through a monitor and then to the recording device, eliminating the need for multiple connections. This image can also be simultaneously viewed on both the camera’s LCD and an external monitor, while eliminating on-screen camera status data for streaming purposes. The D800 also includes features concentrated on audio quality, such as a dedicated headphone jack for accurate monitoring of audio levels while recording. Audio output levels can be adjusted with 30 steps for precise audio adjustment and monitoring. The D800 offers high-fidelity audio recording control with audio levels that can be set and monitored on the camera’s LCD screen. A microphone connected via the stereo mic jack can also be adjusted with up to 20 steps of sensitivity for accurate sound reproduction. What’s more, recording can be set to be activated through the shutter button, opening a world of remote applications through the 10-pin accessory terminal.

Wield Speed and Performance with Astonishing Accuracy

Whether shooting the runway or fast moving wildlife, the enhanced 51-point AF system of the D800 delivers blazing fast AF with tack-sharp results. Nikon has enhanced the Multi-Cam 3500-FX AF sensor module and algorithms to significantly improve low light acquisition, for precise focus to an impressive -2 exposure value (EV). The focus system utilizes 15 cross-type AF sensors for enhanced accuracy, and the system also places an emphasis on the human face, working in conjunction with the Advanced Scene Recognition System to provide accurate face detection even through the optical viewfinder. The camera also utilizes nine cross-type sensors that are fully functional when using compatible NIKKOR lenses and teleconverters with an aperture value up to f/8, which is a great advantage to those who need extreme telephoto focal lengths (single cross type sensor active with TC20E III). For maximum versatility in all shooting situations, whether photographing portraits or static subjects, users are also able to select multiple AF modes, including normal, wide area, face tracking and subject tracking to best suit the scene.

The D800 delivers upon a professional’s need for maximum speed when it counts. The camera is ready to shoot in 0.12 seconds, and is ready to capture with super-fast AF and response speed. To photograph action in a burst, the camera shoots up to 4 frames per second (fps) in FX mode at full resolution, or up to a speedy 6 fps in DX mode using the optional MB-D12 Battery Pack and compatible battery. Further enhancing the speed of the camera and overall workflow, the D800 utilizes the new USB 3.0 standard for ultra fast transfer speeds.

Construction and Operability

The body of the D800 is designed to offer a compact form factor and a lightweight body for the utmost versatility. The chassis is constructed of magnesium alloy for maximum durability, and is sealed and gasketed for resistance to dirt and moisture. Users are able to easily compose through the bright optical viewfinder, which offers 100% frame coverage.  For storage, the D800 has dual card slots for CF and SD cards, and offers users the ability to record backup, overflow, RAW/JPEG separation, and the additional option of shooting stills to one and video to the other. For high speed recording and transfer, data can be recorded to recent UDMA-7 and SDXC / UHS-1 cards. The shutter has been tested to withstand approximately 200,000 cycles, and the camera also employs sensor cleaning. The D800 also features a built-in flash and is compatible with Nikon’s acclaimed Creative Lighting System, including a built-in Commander mode for controlling wireless Speedlights.

D800E – Maximum Resolution Unleashed

In addition to the D800, Nikon will also be releasing a supplementary model for those professionals who demand even higher resolution and D-SLR versatility; the D800E. This model treads in medium format territory for studio work or landscape photography when there is no exception to only the highest fidelity and sharpness. This unique alternative model will effectively enhance the resolution characteristics of the 36.3-megapixel CMOS sensor by cancelling the anti-aliasing properties of the OLPF inside the camera. By doing this, light is delivered directly to the photodiodes, yielding an image resulting from the raw light gathering properties of the camera. A color moiré correction tool will also be available within Capture NX2 to enhance the D800E photographer’s workflow.

Price and Availability

The Nikon D800 will be available in late March for the suggested retail price of $2999.95.1 The D800E version will be available in mid April 2012 for a suggested retail price of $3,299.95. For more information about these models, NIKKOR lenses and other D-SLR cameras please visit www.nikonusa.com.

Nikon D800 specifications

Related Product:

Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom LensThe D5100 incorporates an amazing array of special effects for use when taking still pictures or recording D-Movie Full HD movies. Selective Color iso... Read More >

Nikon COOLPIX AW100 16 MP CMOS Waterproof Digital Camera with GPS and Full HD 1080p Video (Orange)

Nikon D3100 14.2MP Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom LensNikon's affordable, compact and lightweight D3100 digital SLR features a high-resolution 14-megapixel CMOS DX sensor, high-quality 3x NIKKOR 18-55mm V... Read More >

Nikon has announced the D4, its latest professional DSLR. The 16MP full-frame camera is capable of shooting at 10 frames per second with full autofocus. In addition to a host of ergonomic improvements, the D4 also sees the expansion of its video capabilities, to the extent that Nikon is describing it as a ‘multi-media DSLR.’ The cameras gains an Ethernet port, a 91,000 pixel metering sensor and an uprated AF sensor that can work in lower light and with smaller aperture lenses. Its sensitivity range can be expanded to the equivalent of ISO 204,800 and adds illuminated controls to make it easier to work in the low-light situations in which such a setting becomes useful. The D4 also becomes the first camera to make use of the XQD memory card format.

The new Nikon D4 digital SLR builds upon the legacy of the proven Nikon flagship D-SLRs before it, engineered to give today’s professional multimedia photographers a new apex of speed and accuracy with unparalleled image quality, low-light capability and Full HD video. The Nikon D4 hosts a multitude of advanced new features and useful functions that deliver speedy performance and amazing image quality for when missing the shot is not an option.

Every aspect of the new Nikon D4 D-SLR has been designed to emphasize rapid response and seamless operation to help professional photographers consistently capture incredible content. Nikon’s proven 51-point AF System has been further enhanced for maximum speed in a variety of challenging shooting situations, even at 10 frames per second (fps). Considered the new Nikon flagship, the D4 renders supreme image quality, a feat accomplished with a new 16.2-megapixel FX-format CMOS sensor, coupled with the latest generation of Nikon’s EXPEED 3 image processing engine to help produce images and videos with stunning clarity and color. Photographers are also able to shoot in even the most challenging environments and lighting conditions with the assistance of Nikon’s new 91,000-pixel 3D color matrix meter and a broad ISO range from 100 to a staggering 204,800 for low-light capture like never before. The Nikon D4 is engineered for the modern professional and incorporates never before seen HD-SLR video features for those who also need to capture multimedia content from the field.

“Speed without accuracy is irrelevant,” said Bo Kajiwara, director of marketing, Nikon Inc. “The status of a Nikon flagship camera is not given lightly; this next generation of Nikon’s most professional body exceeds the needs of a wide variety of both still and multimedia professionals that rely on Nikon to make their living. Besides overall performance and burst speed, the D4 provides Nikon’s most advanced AF system to date, as well as enhanced workflow speed to give professionals the edge in the field.”

Velocity Meets Versatility

Speed is a necessity for today’s multimedia photographer as milliseconds matter when the action commences. Whether an assignment relies on fast processing power, burst rate, write speed, enhanced workflow or even streamlined camera controls, the D4 is the epitome of professional-caliber photographic horsepower. Ready to shoot in approximately 0.012 seconds, the new Nikon D4 can capture full resolution JPEG or RAW files at up to 10 fps with full AF / AE or up to 11 fps with AF / AE locked. Immediately before image capture, the camera interprets data from the AF sensor, including subject color as detected on the 91,000-pixel RGB sensor, to deliver consistently tack-sharp focus frame after frame. Whether a photographer is shooting a full-court fast break under gymnasium lighting or the downhill slalom in the bright sun and frigid temperatures, the D4 will instill the confidence with consistently great results.

The Advanced Multi-Cam 3500 AF autofocus system is the next generation of Nikon’s proven 51-point AF system. The fully customizable system offers users the ability to capture fast moving subjects and track focus with precision or select a single AF point with pinpoint accuracy. The Nikon D4 D-SLR aligns 15 cross-type sensors in the center to detect contrast data in both vertical and horizontal planes. In addition to detecting each AF-NIKKOR lens with an aperture of f/5.6 or lower, the camera also utilizes nine cross-type sensors that are fully functional when using compatible NIKKOR lenses and TC14E or TC17E teleconverters or a single cross-type sensor when using compatible NIKKOR lenses and the TC20E teleconverter with an aperture value up to f/8, which is a great advantage to those shooting sports and wildlife. For maximum versatility in situations such as photographing nature from afar or competition from the sidelines,  photographers are also able to select multiple AF modes, including normal, wide area, face tracking and subject tracking, to best suit the scene.

The Nikon D4 D-SLR also employs a new 91,000-pixel RGB 3D Color Matrix metering system that meticulously analyzes each scene and recognizes factors such as color and brightness with unprecedented precision. This data is then interpreted and compared against D4’s on-board database to implement various settings, resulting in vibrant images with faithful color reproduction and balanced exposure. In addition, this new AF sensor now has the ability to detect up to 16 human faces with startling accuracy, even when shooting through the optical viewfinder, allowing for correct exposure even when the subject is backlit. Additionally, to capture every brief moment from a bouquet toss to a photo finish under nearly any condition, the 51 focus points deliver fast and accurate detection down to a -2 EV with every AF-NIKKOR lens.

All of this image data is funneled through a 16 bit pipeline and are written to dual card slots which have been optimized for the latest UDMA-7 Compact Flash™ cards, as well as the new XQD™ memory card. The D4 is the first professional camera to harness the capabilities of this new durable and compact format, which offers blazing fast write times and extended capacity essential for multimedia professionals shooting stills and video.

Image Quality That Hits the Mark

The heart of the new D4 is the Nikon-developed 16.2-megapixel FX-format (35.9 x 24mm) CMOS sensor that provides amazing image quality, brilliant dynamic range and vivid colors in nearly any lighting condition. By achieving the optimal balance of resolution and sensor size, professional photographers will realize exceptionally sharp, clean and well saturated images throughout the entire ISO range.

Like the D3 and D3s before it, the Nikon D4 retains Nikon’s status as the sovereign of low-light capture ability, with a native ISO range from 100 to 12,800 ISO, expandable from 50 (Lo-1) to an incredible yet usable 204,800 (Hi-4). From a candlelit first dance to nocturnal wildlife, the large 7.3µ pixel size absorbs the maximum amount of light to excel in any situation. Additionally, the sensor’s construction features a gapless micro-lens structure and anti-reflective coating which further contributes to images that retain natural depth and tones with smooth color gradation. For ultimate versatility, photographers can also take advantage of the camera’s extreme high ISO ability while recording video.

Another factor contributing to the camera’s rapid performance and stellar image quality is Nikon’s new EXPEED 3 image processing engine that helps professionals create images with amazing resolution, color and dynamic range in both still images and video. From image processing to transfer, the new engine is capable of processing massive amounts of data, exacting optimal color, perfect tonality and minimized noise throughout the frame.

There are also a variety of shooting options available to help capture the highest quality images and video. In addition to standard NEF (RAW) files, the D4 is also capable of shooting smaller compressed RAW files to ease storage and speed up workflow. Users are also able to capture even more dynamic range with the in-camera High Dynamic Range (HDR) function that merges consecutive exposures. For deep contrast and further tonality, Active D-Lighting can also be activated during shooting for balanced exposures even in backlit scenes. Additionally, the camera features a dedicated button for quick access to Nikon’s Picture Controls, allowing users to quickly select one of six presets.

Professional Multimedia Features

The Nikon D4 D-SLR is engineered with innovative new features for the multimedia professional that needs the small form factor, low-light ability and NIKKOR lens versatility that only an HD-SLR can offer. The new features add functionality for those professionals looking for the best possible experience to capture a moment in Full HD 1080p video at various frame rates, providing footage that is more than suitable for broadcast.

• Full HD video recording - Users have the choice of various resolutions and frame rates, including 1080p 30/24fps and 60 fps at 720p. By utilizing the B-Frame data compression method, users can record H.264 / MPEG-4 AVC format video with unmatched integrity for up to 20 minutes per clip. This format also allows for more accurate video data to be transferred requiring less memory capacity. The sensor reads image data at astoundingly fast rates, which results in less instances of rolling shutter distortion.
• Full manual control of exposure – Shutter speed, aperture and ISO can be changed while recording to adapt to lighting and alter depth of field for professional cinematic results that help realize a creative vision.
• Uncompressed output: simultaneous Live View - By using the camera’s HDMI port instead of the CF or XQD card, users can stream an uncompressed full HD signal directly out of the camera. This footage can be ported into an LCD display or appropriate external recording device or routed through a monitor and then to the recording device, eliminating the need for multiple connections.
• Audio recording for professionals – The Nikon D4 features a stereo headphone jack for accurate monitoring of audio levels while recording. Output can be adjusted in up to 30 steps for precise audio adjustment. The D4 offers high-fidelity audio recording control with audio levels that can be set and monitored on the camera’s LCD screen. The microphone connected via the stereo mic jack can also be adjusted with up to 20 steps of sensitivity for accurate sound reproduction.
• Multi-area Mode Full HD Video: FX/DX, and 2.7x crop mode at 1080p video modes - Whether shooting for depth of field in FX format mode, or looking for the extra 1.5X telephoto benefits of DX mode, the high resolution sensor of the D4 allows videographers to retain full 1080P HD resolution no matter what mode they choose. With the 2.7x crop, users can experience ultra-telephoto benefits in full HD resolution all at 16:9 aspect ratio.
• Simultaneous live view output without display / simultaneous monitor - Shooters have the option to send the display signal directly to an attached monitor via the HDMI port. This signal can be viewed on the camera’s LCD screen and external monitor simultaneously. Additionally, the image data display can be cleared from the screen, to remove distracting data or when feeding a live signal.
• Full-time AF - In addition to manual focus, four modes are available, including normal, wide area, face detection and subject tracking, which uses fast contrast detect AF to accurately focus while recording video and in live view.
• New LCD screen - The large high resolution 3.2-inch LCD screen is 921K dots, and includes auto brightness adjustment. User’s can also zoom in up to 46x to check critical HD focus.
• Time lapse shooting - This new feature combines a selected frame rate and “shooting interval” in a dedicated time lapse photography menu. Playback can be achieved with a wide variety of speeds from 24x to 36,000x while producing a fully finished movie file output for faster multimedia workflows.
• Remote shutter operation - Using dedicated Movie Custom Settings, recording can be set to be engaged by the shutter release button -users can now use a variety of remote accessories to trigger video recording.
• NIKKOR lens compatibility - The highest caliber optics are vital to creating HD images and Nikon is the world leader in optics manufacturing with a legacy spanning more than 75 years. Nikon has a vast NIKKOR lens system, with more than 50 lenses with a variety of focal lengths and features, including VR II vibration reduction.

Professional Construction, Superior Operability

The reputation and respect bestowed upon a Nikon D-Series flagship camera is earned from those who use it; therefore the chassis of the Nikon D4 is machined from magnesium alloy for maximum durability and reliability. The body of the camera is sealed and gasketed for resistance to dirt and moisture, as well as electromagnetic interference. Photographers are able to easily compose through the bright optical viewfinder, which offers 100% frame coverage. The shutter has been tested to withstand 400,000 cycles for maximum durability, while sensor cleaning is employed by vibrating the OLPF. The self diagnostic shutter unit also encompasses a mirror balancer to minimize the residual “bounce” to enhance AF and extend viewing time. What’s more, the viewfinder is coated with a new thermal shield finish which works to resist overheating during prolonged use, enhancing overall reliability. Users can easily compose on the camera’s wide, bright and scratch resistant 921,000-dot high resolution 3.2-inch LCD screen.

The overall controls and operability of the camera has also been engineered with a renewed emphasis on speed and functionality. During critical moments, users will appreciate refined button layouts with renewed ergonomics, such as a quick AF mode selector placed near the lens mount for fast access on the fly. A new joystick style sub-selector is also placed on the camera’s rear for AF point and option selection, while vertical controls have been enhanced for improved operability. Finally, to continue the D4’s moniker of the best tool for just about any condition, key control buttons on the back of the camera can all be illuminated, making the camera simple to operate in complete darkness.

Nikon has also made enhancements to overall workflow, adding options to streamline the process and maximize shooting time. Users are now able to automatically generate IPTC data for their images and image sets, making organizing and chronicling images easier for both the photographers and their editors. A wired Ethernet port is also utilized so that a user can shoot tethered and transfer images easily and quickly to clients. Nikon has also introduced the new WT-5A wireless file transmitter, to transmit via FTP server or computer. The device can be set to transfer either automatically or manually selected images. This device also allows for remote operation of the camera using Nikon’s Camera Control Pro 2 software. A mobile application is also in development to control the camera using this accessory, which will include the ability to trigger the shutter and record video, making this a must-have remote accessory for many professionals.

Price and Availability

The Nikon D4 will be available in late February 2012 for the suggested retail price of $5999.95.^*

To see the new D4 D-SLR and other new Nikon products, visit Nikon at the 2012 International Consumer Electronics Show (CES) at booth # 11039 from January 10-13th, 2012 in Las Vegas, NV.

Nikon D4 Specfications

* Suggested retail price listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

Related Product:

Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom LensThe D5100 incorporates an amazing array of special effects for use when taking still pictures or recording D-Movie Full HD movies. Selective Color iso... Read More >

Nikon COOLPIX AW100 16 MP CMOS Waterproof Digital Camera with GPS and Full HD 1080p Video (Orange)

Nikon D3100 14.2MP Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom LensNikon's affordable, compact and lightweight D3100 digital SLR features a high-resolution 14-megapixel CMOS DX sensor, high-quality 3x NIKKOR 18-55mm V... Read More >

Fujifilm has announced the X-S1 high-end superzoom and confirmed its intention to build a mirrorless interchangeable lens camera. The X-S1 is an addition to the company’s X-series and is built around the same 2/3” EXR CMOS sensor as the recently announced X10. Meanwhile, company president and CEO Shigetaka Komori said it will create a mirrorless, interchangeable lens camera built around a larger sensor with ‘resolution and low noise [that] will surpass the 35mm full size sensor.’ We’re not taking this to mean it will be a full-frame camera. More details will be announced nearer the Spring 2012 launch. The X-S1 features a 26x, 24-624mm equivalent F2.8-5.3 zoom and will be available from early 2012.

Canadian Fuji representatives, using the Twitter account ‘@fujiguys‘ have added:

‘Fujifilm X Series Interchangeable lens system not = M4/3 nor current mirrorless cams. X series will be “premium” cameras!.’

Related Product:

Fujifilm FinePix F505 16 MP CMOS Sensor and 15x Optical Zoom Digital Camera with 4 GB Class 10 SD Memory Card (Black)The FinePix F505EXR is a full-featured and technologically advanced camera for discerning point-and-shoot photographers or SLR users who want to trave... Read More >

Fujifilm Instax MINI 25 Instant Film Camera (White)INSTAX Mini 25 - Stylish design. Light weight compact and easy to use - goes with you anytime, anywhere. The attachable close-up lens allows you to sh... Read More >

Fujifilm Instax MINI 7s White Instant Film CameraINSTAX Mini 7S - With it's exposure control adjustment this camera is a fun, easy point-and-shoot camera that will no doubt become a family favorite. ... Read More >

We’ve published our review of the Sony SLT-A35. This latest model in Sony’s series of ‘translucent mirror’ cameras incorporates almost all the features of the original A33 and A55 but includes what Sony promises is an improved 16MP sensor, and handful of extra processing options. The only real losses compared to the A33 are the articulated rear screen and $50 from the MSRP of the 18-55mm lens kit, taking it down to $699. Is this enough to compete in the crowded entry-level segment? Read our review to find out.

Click here to read our review of the Sony SLT-A35

Related Product:

Sony Cyber-shot DSC-HX200V 18.2 MP Exmor R CMOS Digital Camera with 30x Optical Zoom and 3.0-inch LCD (Black) (2012 Model)The Sony DSC-HX200V Cyber-shot Digital Camera lets you take high-quality shots anywhere easy. This point-and-shoot camera quickly produces vivid still... Read More >

Sony Cyber-shot DSC-HX9V 16.2 MP Exmor R CMOS Digital Still Camera with 16x Optical Zoom G Lens, 3D Sweep Panorama and Full HD 1080/60p VideoLet yourself go and rejuvenate your passion for photography with the Cyber-shot DSC-HX9V digital camera. Boasting innovative features like Full HD for... Read More >

Sony Cyber-shot DSC-W650 16.1 MP Digital Camera with 5x Optical Zoom and 3.0-Inch LCD (Black) (2012 Model)The Sony Cyber-Shot DSC-W650 Digital Camera (Black) is ready for anything--its 16.1MP resolution guarantees excellent image quality and the sharp Ca... Read More >

Panasonic has revealed the Lumix G X Vario PZ 45-175mm F4.0-5.6 ASPH Power OIS power zoom. The telephoto zoom carries the company’s ‘Lumix X’ branding that it will be using to denote premium quality lenses. Along with the PZ 14-42mm, it features a quiet variable-speed power zoom for smooth zooming during movie recording but, unlike the collapsible standard zoom, the 45-175mm also features ‘by-wire’ dials for direct control of zoom and focus. The lens features a compact, lightweight design and uses an internal zoom mechanism, meaning it stays the same length at all times.

UPDATE – We’ve asked Panasonic for clarification on compatibility, and have been informed “The lenses are compatible and will work with all Micro Four Thirds cameras.”

SECAUCUS, NJ (August 26, 2011) –Today, Panasonic announced the LUMIX G X VARIO PZ 45-175mm/F4.0-5.6 ASPH./POWER O.I.S. (H-PS45175), the company’s first cutting-edge digital interchangeable lens with electric-powered zoom operation.  This marks the launch of the company’s premium lens brand “X” which is compatible with the Panasonic LUMIX G Series and complies with the Micro Four Thirds™ system standard.  This lens introduction accompanies another LUMIX X lens announced today, the LUMIX G X VARIO PZ 14-42mm/F3.5-5.6 ASPH./ POWER O.I.S.

The new LUMIX G X VARIO PZ 45-175mm/F4.0-5.6 ASPH./POWER O.I.S. lens features superb image rendering for lifelike textures and crisp, edge-to-edge contrast.  A unique Nano Surface Coating technology minimizes reflections at entire visual light range (380nm-780nm) for a dramatic reduction of ghosts and light flare, resulting in outstandingly clear picture quality.

Using a Multi-Actuator Floating Inner Focus System to control three lens groups separately the LUMIX G X VARIO PZ 45-175mm/F4.0-5.6 ASPH./POWER O.I.S. achieves a reduction in both size and weight without compromising picture quality.  Boasting outstanding compactness, the lens is approximately 90mm in length and 7.4oz in weight, resulting in ultra-high mobility.

Offering a versatile zoom range of 45-175mm the LUMIX G X VARIO PZ 45-175mm/F4.0-5.6 ASPH./POWER O.I.S. allows distant subjects to be captured sharply at the tele-end.  Also notable, the lens is extremely suitable for portrait and landscape shots, as its high contrast and resolution helps images shot at the wide end maintain exceptional quality, and the zoom lever allows for quick and stable zooming, even while shooting a moving object.

The new lens system features two Extra-low Dispersion (ED) lenses which suppress chromatic aberration and contribute to high descriptive performance across the entire zoom range 45-175mm.  The POWER O.I.S. (Optical Image Stabilizer) integrated into the LUMIX G X VARIO PZ 45-175mm/F4.0-5.6 ASPH./POWER O.I.S. makes it easy to shoot sharp images even in low-lit situations.  With improved sensitivity of the gyro sensor, the new POWER O.I.S. also suppresses large, slow movements two times more effectively** while small, fast movements are compensated for by the conventional MEGA O.I.S.

LUMIX G X VARIO PZ 45-175mm/F4.0-5.6 ASPH./POWER O.I.S. contains seven aperture blades to help produce an attractive smoothness in out-of-focus areas even while shooting at large aperture.  Adopting an inner focus system driven by a stepping motor, the lens’ superior optical design supports Light Speed AF of approximately .15 seconds and fast aperture control results in a shortened shutter time lag of approximately 20% when compared to the LUMIX G VARIO 45-200mm/F4.0-5.6/MEGA O.I.S.

The Panasonic LUMIX G X VARIO PZ 45-175mm/F4.0-5.6 ASPH./POWER O.I.S. (H-PS45175) will be available in black and silver starting September 2011 with a suggested retail price of $449.99.  For more information about Panasonic LUMIX digital cameras and lenses, please visit www.panasonic.com/lumix.

Specifications

Related Product:

Panasonic Lumix DMC-GF3CK Kit Black 12.1-megapixel Digital Camera with 14mm Pancake LensPanasonic’s LUMIX DMC-GF3 realizes all the features you want from a bulky DSLR interchangeable lens camera, only it accomplishes this in an ultra co... Read More >

Panasonic Lumix ZS20 14.1 MP High Sensitivity MOS Digital Camera with 20x Optical Zoom (Black)The LUMIX DMC-ZS20 digital camera with an impressive 20x optical zoom, a 24mm ultra wide-angle LEICA DC VARIO-ELMAR lens and the ability to shoot full... Read More >

Panasonic DMC-FH25K 16.1MP Digital Camera with 8x Wide Angle Image Stabilized Zoom and 2.7 inch LCD (Black)

Sony has announced the much leaked NEX-7 enthusiast-targeted mirrorless interchangeable lens camera. It manages to squeeze vast amounts of the A77′s capabilities into a body barely bigger than the existing NEX models. It packs a 24MP APS-C CMOS sensor and 2.4M dot OLED electronic viewfinder into its magnesium alloy body and yet still finds room for a pop-up flash and Alpha hot shoe. Working samples of the NEX-7 have not been made available to the press anywhere in the world, so we have not been able to prepare a hands-on preview. However, we have seen and handled an early pre-production unit and have interrogated Sony about its operation. We have used this to prepare an overview of the camera, which we will expand to a preview when cameras with functioning firmware are available.

When Sony introduced its brand-new range of mirrorless interchangeable lens cameras in May 2010, the company was very clear about who it thought would buy the NEX-5 and its near-identical-twin NEX-3. Small cameras with APS-C sensors, we were told, would appeal to compact camera users who wanted to upgrade but would be intimidated by the bulk and perceived complexity of an SLR. The cameras were a sales success (especially in Japan), and their influence on this sector of the market has become increasingly clear, with Olympus’s PEN E-PL3 paying extensive homage to their key design features, and Panasonic stripping-down its GF line from the enthusiast-friendly DMC-GF1 to the distinctly beginner-orientated DMC-GF3.

In practice, though, it wasn’t just beginners buying these cameras. Many enthusiast photographers have been equally attracted to the promise of excellent image quality in a small, highly portable camera, fuelled by the ability to adapt almost any lens to fit. To its credit Sony has taken note and steadily increased the NEXs’ appeal, with successive firmware updates to improve usability and add features.

Now, with the NEX-7, Sony is specifically targeting those advanced users with a camera whose key spec reads like it’s come straight off an enthusiast’s wishlist. First up is the new 24MP APS-C CMOS sensor, shared with the co-announced SLT-A77, that enables true 1080p60 video recording. Then there’s the EVF that’s been squeezed into the compact body (and also shared with the A77) – the 2.4M dot OLED unit is the highest resolution yet seen in a stills camera, and has an eye sensor for automatic switching with the rear LCD. Rounding off the additions are a built-in flash and Alpha-type hotshoe, all in a body that’s about the same size as the Olympus PEN E-P3.

The NEX-7 also expands on the existing interface, adding two dials on the top plate that can be used to control a wide variety of functions, plus a conveniently-placed button beside the shutter that’s used to cycle through their functions. The familiar rear dial and three ‘soft’ keys on the back of the camera are retained, as is the handy tilting rear LCD.

The NEX-7 uses a new shutter arrangement, with an (optional) electronic first curtain. In other words, the camera no longer has to close the shutter then open it again to start the exposure, and according to Sony this decreases shutter lag from 100ms to just 20ms. This isn’t completely new technology – Canon’s live view capable DSLRs have been using it since the EOS 40D of 2007 – but it’s very welcome to see it implemented in this type of camera.

Further indication, if any were needed, of the NEX-7′s serious intentions is provided by the co-announced Carl Zeiss-branded E 24mm F1.8 lens (also known as the SEL24F18Z). This offers a field of view equivalent to a 35mm lens on full frame, and places the NEX-7 squarely up against the likes of the Fujifilm FinePix X100 (with its fixed 23mm F2 lens), as well as the E-P3. The NEX-7 will also be sold with a black version of the standard E 18-55mm F3.5-5.6 OSS kit zoom.

Sony NEX-7 specification highlights

• All-new 24MP APS-C CMOS sensor (shared with the SLT-A7 and A657)
• ISO 100-16000
• Built-in 2.4M dot OLED EVF with eye sensor
• Electronic first-curtain shutter (cuts response time from 100ms to 20ms)
• ‘AVCHD Progressive’ 1080p60 HD movie recording with built-in stereo mic
• Tilting rear screen
• Three-dial user interface
• Built in flash and Alpha hotshoe
• Infra-red remote control receiver
• Microphone input socket

New E-mount lenses

Alongside the NEX-7 (and the updated NEX-5N), Sony has also announced three new lenses. As well as the Carl Zeiss E 24mm F1.8 mentioned above, there’s an image-stabilized E 55-210mm F4.5-6.3 OSS telephoto zoom (SEL55210), and another fast prime in the shape of the E 50mm F1.8 (SEL50F18). While the latter is, in our opinion, a slightly curious focal length for a brand-new APS-C format design (we’d prefer to see a fast portrait lens in the 60-70mm range), there’s no denying the fact that inexpensive 50mm primes have proven very popular with DSLR users.

Further lens options – LA-EA2 Alpha mount autofocus adapter

To further expand the range of lenses that NEX owners can use with full functionality, Sony has also announced the LA-EA2 adapter that promises fast autofocus with all existing Alpha mount lenses. This uses the company’s SLT technology, with a fixed ‘translucent’ mirror and built-in phase detection AF sensor, plus an AF motor for ‘screw-drive’ lenses. Somewhat reminiscent of Leica’s old ‘Visoflex’ system for its M-mount film rangefinders, the rather bulky housing also has its own tripod socket for use with larger lenses. The LA-EA2 includes the same 15-point AF sensor as the SLT A65 and original A55.

While this certainly expands on the range of lenses accessible to NEX owners, we’re not entirely convinced of its real-world practicality (especially as, at $399, it’s not cheap). We have a sneaking suspicion that it only exists to show that the NEX can be used with more than the handful of native E-mount lenses, rather than being a big seller. It seems likely that most people who own a range of Alpha lenses will already have SLRs to use them on, increasingly supplemented by ‘real’ SLTs. And perhaps the biggest attraction of mirrorless camera over SLRs is compactness, which rather goes away when using AF lenses with such a large adapter. But for those who bought a NEX and then discovered that they really wanted an SLT after all, it could well come in handy, and we can see potential for videography.

The pre-production NEX-7 units shown to journalists (including ourselves), featured NEX-5N firmware, making it impossible to make sense of how well the NEX-7′s ‘Tri-Navi’ three dial control system works. Given that the existing NEX interface isn’t ideal for the kind of committed enthusiast photographers that the NEX-7 is aimed at, it’s clear that the most important aspect of the NEX-7 is how well it’s been implemented.

We have, however, discussed this interface extensively with Sony and can provide the following exclusive detail about how Tri-Navi will work:

Default ‘Exposure’ control settings:

The default exposure options are predefined and cannot be adjusted. No matter how many additional functions you choose to assign to the control system, these are always available.

Beyond this, you can choose up to four sets of controls that can be applied to the dials (from a choice of 6). When using the camera, pressing the button on the front shoulder cycles between the sets you’ve selected, in the order you’ve specified.

The exciting option for us is the ‘Custom’ setting. As you might expect, this allows you to specify which function you want on each dial. There’s only one Custom slot, so you can only create one personalized ‘set.’

There are nine settings that can be applied to the dials and, once assigned to a dial, is removed from the list of available options for the other dials. There is also the option to assign no function to any given dial.

For settings that usually have multiple options (such as the different extents that can be applied to HDR and DRO), all these options are available as a long list to spin through, when assigned to a dial. This differs from their behavior when they appear as one of the presets.

Although we are not in a position to assess how well this system will work when out with the camera, taking photographs, it does sound promising. Our immediate thought was that we could assign Quality to the left dial, DRO/HDR to the right dial then Exposure Comp. to the center dial, so that it’s easy to drop into JPEG-only shooting, shoot an HDR shot, then quickly flick back to Raw shooting (something we’ve found rather time-consuming on other Sonys).

Related Product:

Sony Cyber-shot DSC-HX200V 18.2 MP Exmor R CMOS Digital Camera with 30x Optical Zoom and 3.0-inch LCD (Black) (2012 Model)The Sony DSC-HX200V Cyber-shot Digital Camera lets you take high-quality shots anywhere easy. This point-and-shoot camera quickly produces vivid still... Read More >

Sony Cyber-shot DSC-HX9V 16.2 MP Exmor R CMOS Digital Still Camera with 16x Optical Zoom G Lens, 3D Sweep Panorama and Full HD 1080/60p VideoLet yourself go and rejuvenate your passion for photography with the Cyber-shot DSC-HX9V digital camera. Boasting innovative features like Full HD for... Read More >

Sony Cyber-shot DSC-W650 16.1 MP Digital Camera with 5x Optical Zoom and 3.0-Inch LCD (Black) (2012 Model)The Sony Cyber-Shot DSC-W650 Digital Camera (Black) is ready for anything--its 16.1MP resolution guarantees excellent image quality and the sharp Ca... Read More >

Leica has announced the Super-Elmar-M 21mm f/3.4, a wideangle prime for its M-series rangefinder cameras. Weighing in at less than 10 ounces, it’s extremely compact at just under 2 inches in length. It has a minimum focus distance of 0.7m, and uses a dual-sided aspheric element and 4 anomalous partial dispersion elements in its optical construction. On the M8 camera it offers an angle of view equivalent to a 28mm lens. It will be available from June 2011 at a price of £2025.

Leica has today added a new, high-performance wide-angle lens to its portfolio of short focal length lenses for Leica M cameras. The Leica Super-Elmar-M 21 mm f/3.4 ASPH. sets new standards in imaging performance and is characterised by its particularly compact size and suitability for a wide range of photographic situations. Whether used for photojournalism, architecture or landscape photography, the Leica Super-Elmar-M 21 mm f/3.4 ASPH. provides photographers with an extremely small, light and versatile wide-angle lens, particularly suitable for travelling.

The performance of the Leica Super-Elmar-M 21 mm f/3.4 ASPH. is reminiscent of one of the all-time favourite classics amongst M lenses, the Leica Super-Angulon-M 21 mm f/3.4. This much-praised lens was an integral part of the Leica M lens portfolio from 1963 to 1980, and made its name and reputation as an ideal tool for available light photography and photojournalism. Even today, the Super-Angulon-M 21mm f/3.4 is extremely popular and one of the most sought-after M lenses amongst connoisseurs of fine optics.

The new Leica Super-Elmar-M 21 mm f/3.4 ASPH. is a worthy successor, with further improvements over the already outstanding performance of its predecessor. The lens reveals its excellent reproduction of detail and superior contrast at maximum aperture. Of particular note are the extremely effective flare characteristics of the Leica Super-Elmar-M 21 mm f/3.4 ASPH., which allow the capture of fascinating ‘contre-jour’ images with absolute clarity and contrast.

The intricate optical design and construction of the lens are responsible for its outstanding sharpness and imaging qualities. The Leica Super-Elmar-M 21 mm f/3.4 ASPH. is constructed with eight lenses in seven groups. At the same time, the use of one lens element with two aspherical surfaces and four lenses with anomalous partial dispersion ensure that aberrations are reduced to an absolute minimum.

As with all Leica lenses, the Super-Elmar-M 21 mm f/3.4 ASPH. was designed and developed by Leica specialists in Solms, Germany, and represents the perfect combination of optical and technical expertise. Particularly reliable and with enduring value, every Leica lens is manufactured from only the highest quality materials and is assembled with meticulous precision, completely by hand. The combination of cutting-edge technologies and extremely thorough manufacturing processes guarantees consistently excellent quality.

The Leica Super-Elmar-M 21 mm f/3.4 ASPH. is supplied with a high-quality, all-metal lens hood, which should be mounted at all times. The hood not only protects the lens effectively against reduction of contrast by extraneous light, but also against damage and the accumulation of dirt on the front lens element.

Related Product:

Panasonic Lumix DMC-LX5 10.1 MP Digital Camera with 3.8x Optical Image Stabilized Zoom and 3.0-Inch LCD - BlackThe Panasonic Lumix DMC-LX5 is a unique compact digital camera offering photo enthusiasts the ideal way for capturing professional-quality photos and ... Read More >

Fujifilm X100 12.3 MP APS-C CMOS EXR Digital Camera with 23mm Fujinon Lens and 2.8-Inch LCDThe Fujifilm FinePix X100 is a high-precision digital compact camera that combines modern technology with a traditional camera design to deliver the u... Read More >

Leica D-LUX5 10.1 MP Compact Digital Camera with Super-Fast f/2.0 Lens, 3.8x Zoom Lens, 3" LCD Display, O.I.S. Image Stabilization (Black)The Leica D-Lux 5 is a compact camera which combines a unique design with high functionality, styling, and quality to offer superior image quality. It... Read More >

Sony has given more details of the forthcoming firmware updates for A33, A55 Nex-3 and NEX-5 owners. The updates, which will be available from June 20th, include many of the features built into the newly-announced SLT-A35 and NEX-C3. These include the Picture Effects processing modes and many of the small handling improvements incorporated into the newer models.

Sony Statement:

SLT- a33/ a55

1. Addition of the Picture Effect function (7 Effects, 11 Variations)
2. Programmability of the D-RANGE button (on the top panel) to access 14 functions (Drive Mode, Flash Mode, Auto Focus Mode, AF area, Face Detection, Smile Shutter, ISO, Metering Mode, Flash EV Comp, White Balance, DRO/Auto HDR, Creative Style, SCN/Picture Effect, Sweep Shooting)
3. Addition of a new mode to turn off display parameters
4. Improved operability of the Menu (the ability to return to last selected item instead of menu top)
5. Enable High-Speed Sync when using compatible external flash wirelessly (only α55 – α33 already has this feature)
6. Addition of Digital level gauge display (on the HDMI output) when using the optional external monitor (like CLM-V55 LCD Monitor)

NEX-3/5

1. Addition of the Picture Effects function (7 Effects, 11 Variations)
2. Addition of the Manual Focus Peaking function
3. Very minor – when turning off the camera, the “α” logo will be displayed on the LCD

The firmware is set to be released on June 20th, and will operate similarly to recent firmware updates. You’ll download an executable file from the web (based on your PC’s OS), and the firmware will be run by the PC to the camera via the supplied USB cable.

Related Product:

Canon EOS Rebel T3 12.2 MP CMOS Digital SLR with 18-55mm IS II Lens and EOS HD Movie Mode (Black)The Canon 5157B002 includes the EOS Rebel T3 Digital SLR Camera and the EF-S 18-55mm f/3.5-5.6 IS type II Lens. This camera and lens is perfect for ph... Read More >

Canon PowerShot ELPH 300 HS 12.1 MP Digital Camera (Black)The Canon 5096B001 PowerShot ELPH 300 HS Black 12MP Digital Camera with 5x Zoom and 2.7 In. LCD Display has a slim profile that will not only make you... Read More >

Canon EOS Rebel T3i 18 MP CMOS APS-C Sensor DIGIC 4 Image Processor Full-HD Movie Mode Digital SLR Camera with 3.0-Inch Clear View Vari-Angle LCD and EF-S 18-55mm f/3.5-5.6 IS LensThe Canon 5169B003 includes the EOS Rebel T3i Digital SLR Camera and EF-S 18-55mm f/3.5-5.6 IS type II Lens. This camera and lens will help photograph... Read More >