Uni-Media Press

Carl Zeiss has announced the Distagon T* 2,8/15, a super-wide-angle lens for Canon EF and Nikon F mounts. The lens can focus from just 25cm (10″) and offers a 110 deg; field of view when mounted on a full-frame camera. It uses aspherical elements and abnormal partial dispersion glass in order to control distortion and chromatic aberration. It features an integrated lens hood and accepts 95mm threaded filters. It will be available from May for an MSRP of: €2,148 or US$2,948.

OBERKOCHEN, 16.03.2012.
Carl Zeiss brings out a new super wide angle lens in May 2012. The super wide angle Distagon T* 2,8/15 will be available with an EF (ZE) or F bayonet (ZF.2). With an extra-large angle of view of 110 degrees in combination with a fast f/2.8 aperture, the lens enables the features for dramatic perspectives and performance demanded by the most ambitious landscape and architectural photographers. With a unique ability to capture events in a natural and extraordinary manner, it is also an ideal companion for advertising, journalism and commercial photography.

Thanks to the extreme angle of view of the lens, the fore- and background can be creatively emphasized in landscape and architecture photography. These applications will also benefit from the large depth-of-field, which provides a wide range of image sharpness from close-up up to infinity. With a close focus of 0.25m (10”) – combined with a wide angle view – photographers can work in tight spaces, while also allowing focus on close-up details. Distortion is extremely well controlled, producing naturally proportioned photographs which are not typical of many other super wide angle lenses. “With the Distagon T* 2,8/15, Carl Zeiss sets the standard in super wide angle photography,” says Dr. Michael Pollmann, Consumer Lenses Program Manager in the Camera Lens Division of Carl Zeiss AG. “Even at full aperture it achieves outstanding detail rendition and opens up room for extremely imaginative design.”

The Distagon T* 2,8/15 incorporates two aspheric lenses and special types of glass material with abnormal partial dispersion to provide an extraordinary correction of chromatic aberration. A floating elements design guarantees high image quality from close-focus through infinity. Like the other SLR lenses in the ZE and ZF.2 series, stray light and reflections are well controlled by the Carl Zeiss T* anti-reflective coating and the sophisticated treatment of the lens element edges with special light absorbing paint.

The robust all-metal barrel of the Distagon T* 2,8/15 is designed for decades of reliable service. A long focus rotation and buttery-smooth action is perfect for photographers who want to take control of their picture making, as well as for filmmakers looking for superior focus control. A nine blade aperture provides a nearly circular opening, producing natural looking out of focus details.

The lens shade is integrated into the design and helps to protect the lens surface from unintentional damage. The 95mm filter thread accepts all standard filters, including the recently released Carl Zeiss T* UV and POL filters.

The lens will begin shipping in May 2012 at a recommended retail price of €2,148 or US$2,948 (excluding VAT)*.

Specifications:

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Kenko-Tokina will exhibit a mockup of a 70-200mm F4 telephoto zoom that features both a ring-type ultrasonic autofocus motor and optical image stabilization at the CP+ trade show in Japan. The AT-X Pro SD 70-200 F4 (IF) FX will be the company’s first stabilized lens, and will likely be especially interesting to Nikon SLR users who currently have no option that’s directly comparable to Canon’s popular and highly-regarded 70-200mm F4 designs. Further details are limited, but the lens appears to feature both internal zoom and focus mechanisms, and has a usefully-close minimum focus distance of 1m. (via Megapixel.il)

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Tamron has announced a 24-70mm F2.8 zoom for full frame cameras that features inbuilt optical stabilisation – a first in this class of lens. The SP 24-70mm F/2.8 Di VC USD, to give it its full name, also incorporates an Ultrasonic Silent Drive motor for autofocus, which allows full-time manual focus. The lens is moisture-resistant, and features a circular aperture diaphragm for the attractive rendition of background blur. It will be produced in Canon, Nikon and Sony mounts, with price and availability to be confirmed at a later date.

Press release:

Tamron develops full-size, high-speed standard zoom with built-in image stabilization – SP 24-70mm F/2.8 Di VC USD (Model A007)

February 6th, 2012, Saitama, Japan － Tamron Co., Ltd., a leading manufacturer of optical equipment, announced the development of the SP 24-70mm F/2.8 Di VC USD (Model A007), a full-size high-speed standard zoom lens equipped with VC (Vibration Compensation) image stabilization and USD (Ultrasonic Silent Drive), with resolution at the top of its class.

The price and availability of the SP 24-70mm will be announced at a later date.

Product Features

1. A full-size, high-speed standard zoom with built-in VC ( Vibration Compensation). Even when shooting in low-light conditions with a slow shutter speed to render sharpness, Tamron’s acclaimed VC allows for stable handheld camera work, to more fully enjoy the benefits of this high-speed zoom lens.
2. Uses special high-grade glass in the three LD elements, three glass molded aspherical lenses, one hybrid aspherical lens and two XR (Extra Refractive Index) glasses, delivering top-of-the-class quality images suited to this high-grade lens. Using a rounded diaphragm, the lens achieves gorgeous blur effects. This rounded diaphragm retains a nearly circular shape even when taken two stops down from its fully open state.
3. Features Tamron proprietary USD ( Ultrasonic Silent Drive) to power a speedy AF drive together with a continuous manual mechanism.
4. This high-speed standard zoom lens has a wide-end focal length of 24mm that expands the photographic area.
5. The lens adopts the new technology including the latest optical design, VC ( Vibration Compensation) image stabilization and USD ( Ultrasonic Silent Drive), all in a lighter and more compact package.
6. Moisture-resistant construction helps prevent water from penetrating the lens.

Specifications:

* Length and weight values given are for the Nikon mount
** The Sony mount does not include VC, because the body of Sony digital SLR cameras includes image stabilization functionality. The product name for Sony cameras is “SP 24-70mm F/2.8 Di USD” without the VC designation

Canon has released three EF lenses, including an updated 24-70mm F2.8 II USM. The latest version features what is promised to be a more durable body, despite being a little smaller. In addition to this high-end full-frame standard zoom, there are completely redesigned semi-fast 24mm  and 28mm F2.8 primes, both of which feature USM focus motors and image stabilization.

Ultimately, the most interesting thing about these launches is the fact that Canon feels the need to update various full-frame lenses, almost as if something likely to test the quality of its existing versions was in the offing.

The wide-angle lenses update two of Canon’s oldest primes: both the EF 28mm F2.8 and 24mm F2.8 date back to the late 1980s. The new variants add Canon’s latest 4-stop IS and ring-type USM (complete with full-time manual focus), and look like they should be perfectly nice lenses. We’re just not entirely sure who they’re for; APS-C users have the 17-55mm F2.8 IS USM, and full frame users are more likely to be using the company’s L series optics. It’s also a little unusual to see stabilization added to lenses this wide but that’s the decision Canon has made.

Press Release:

Class-leading performance, unrivalled flexibility – Canon launches three new lenses

London, UK, 7th February 2012 – Canon today adds to its world-famous EF lens series with the launch of three new lenses for photography professionals and enthusiasts. The new EF 24-70mm f/2.8L II USM professional zoom lens is an update to the popular EF 24-70mm f/2.8L USM, while the new EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM are the world’s first1 wide-angle prime lenses to feature optical Image Stabilizer (IS) technology. All three provide the highest levels of performance for modern digital photographers, combining premium image quality with durable, userfriendly designs.

EF 24-70mm f/2.8L II USM: the ultra-high performance standard zoom

The new EF 24-70mm f/2.8L II USM features completely redesigned optics to provide outstanding clarity, image quality and durability. A compact design makes it ideal for carrying on every shoot, and a range of optical enhancements provide improved performance – capturing greater detail across the frame while reducing distortion throughout the entire zoom range, particularly at the maximum 70mm focal length.

With a redesigned optical system that includes two Ultra-low Dispersion (UD) and one Super UD aspheric elements to minimise chromatic aberration and colour blurring, the lens delivers consistently sharp, high-contrast images. Each lens element also features Canon’s optimised Super Spectra coatings to reduce ghosting and flare and ensure excellent colour balance. Additionally, a fluorine coating minimises the amount of dust, dirt and fingerprints that adhere to the front and rear of the lens, helping to maintain superior image quality.

The EF 24-70mm f/2.8L II USM also enables photographers to capture their subjects up close, with a minimum focusing distance of 0.38m at all focal lengths throughout the zoom range. A ring-type Ultrasonic Motor (USM) works in combination with a highperformance CPU and advanced AF algorithms to ensure accurate, silent and ultraresponsive autofocus. For those who prefer to maintain full control in every shot, fulltime manual focusing allows photographers to precisely tweak or alter the focus of their shot at any time, even when AF is engaged.

Distinguished L-series design

The EF 24-70mm f/2.8L II USM is the latest lens from the elite L-series to offer Canon’s high-grade and user-focused design enhancements. The mechanical structure of the lens has been improved to offer enhanced zoom durability and greater shake and shock resistance within the lens barrel. The size of the lens has also been reduced by 10mm compared to the previous model, providing enhanced portability and greater convenience in everyday use. A new Zoom Lock lever also enables photographers to lock the zoom position at the extreme wide end to prevent damage to the lens in transit, while a water and dustproof construction2 enables users to continue shooting in harsh conditions.

Introducing the world’s first wide-angle primes with IS

Canon today also launches the new EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM – the world’s first 24mm and 28mm fixed wide-angle lenses to feature optical IS technology. Ideal for landscape and reportage, both lenses offer outstanding flexibility allowing photographers to shoot an even broader range of scenes and subjects – combining fast apertures with IS to enable sharp results when shooting handheld, even in low light conditions.

Offering an advantage of up to 4-stops over lenses without IS, both lenses are ideal for capturing more of the scene thanks to their wider focal lengths. Both feature a wide f/2.8 aperture, allowing photographers to explore shallow depth of field, or to shoot in lower-light conditions. Wide apertures and IS technology also make each lens ideal for shooting fast-moving subjects, while Canon’s advanced IS technology is able to detect intentional panning movement and automatically switch from Normal IS mode to Panning IS mode – helping users to capture movement with greater accuracy.

Silent, high-speed AF performance is provided by the inclusion of a ring-type USM and additional features including optimized AF control. Full-time manual focusing also ensures adjustments can be made even when AF is engaged, while a minimum focusing distance of 0.20m (EF 24mm f/2.8 IS USM) and 0.23m (EF 28mm f/2.8 IS USM) allows photographers to get even closer to smaller or more detailed subjects.

Designed to perform

Both the EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM feature redesigned optics to improve image quality and reduce the need for post-production. An aspherical glass moulded (GMo) lens element is incorporated to correct aberration throughout the optical system, while Canon’s optimised Super Spectra Coatings reduce ghosting and flare for stand-out image quality. Externally, both models also boast a number of design similarities with Canon’s professional L-series lenses, with a similar coating on the barrel and a similar design on the focus ring. A distance scale is also included to assist with landscape photography, while the compact design makes these lenses an unobtrusive addition to any kit bag.

1 According to Canon research as of February 2012
2 Waterproof construction around the lens mount, switch panel, zoom ring, focusing ring and zoom lock.
Weatherproof when used with weatherproof EOS bodies.

Sony has confirmed it will be making a full-frame replacement for its flagship A900 DSLR. No further details were given during a round-table discussion at the CP+ show in Japan, but we find it hard to believe the result will step away from the SLT technology the company has invested so heavily in. The company has also finally announced the A-mount 500mm F4 lens that it has been showing in various states of preparedness since PMA 2007 will be available from late March.

No details of price are given but the premium ‘G’ branding and the fact it’s a 500mm F4 are likely to make as substantial a dent in your wallet as the lens would make if you dropped it onto a particularly malleable surface.

Closer encounters with new 500mm super-telephoto:

Rugged, pro-focused SAL500F40G lens from Sony for A-mount SLT and DSLR cameras

• Longest-ever focal length G Lens from Sony
• Bright F4.0 aperture for superior light gathering
• Nano AR Coating on optical surfaces for flawless still images and HD video
• Compatible with SteadyShot INSIDE featured in all α cameras
• New SSM drive circuit for quick, accurate autofocus
• Rugged dust- and moisture-resistant design: ideal partner for SLT-A77
• Enhanced handling and operability

Serious photographers can pull distant subjects closer with a powerful new 500mm (equivalent to 750mm with APS-C camera) super-telephoto lens from Sony.

The SAL500F40G is ideal for sports, wildlife and demanding imaging applications that require extreme magnification with uncompromised optical performance.

The SAL500F40G is the longest fixed focal length G Lens from Sony to date. Whether you’re shooting detail-packed stills or Full HD video, you’ll enjoy frame-filling close-ups with flawless resolution. With a bright F4.0 maximum aperture, its excellent light gathering power allows the use of faster shutter speeds to broaden shooting opportunities.

The ruggedly-engineered SAL500F40G copes effortlessly with tough photo assignments. Focusing ring and front/rear joints are protected by interlocking seals that shrug off dust and moisture, even when you’re shooting outdoors in driving rain or arid desert conditions. This weather-resistant design makes the SAL500F40G a perfect partner for the SLT-A77 (α77) Translucent Mirror camera that offers serious photographers similarly ruggedized performance.

Like all other A-mount lenses, the SAL500F40G is compatible with the SteadyShot INSIDE image stabilisation system that’s featured in every α Translucent Mirror and DSLR camera from Sony. Depending on shooting conditions, camera model and settings, you’ll enjoy camera-shake blur compensation that’s equivalent to approximately 4.5 stops (max.) in shutter speed.

Inside, the advanced optical design of the SAL500F40G includes 11 elements in 10 groups, including three ED (Extra-low Dispersion) glass elements. It’s also the first G Lens from Sony to feature advanced new coating process that ensures crisper, clearer images. Exclusive to Sony, the ground-breaking Nano AR Coating process cuts internal reflections drastically. Resulting images are brilliantly crisp and clear, with dramatically reduced lens flare and ghosting. Flare is reduced still further by the carbon fibre lens hood that’s lined with black velvet fibres to absorb incident light.

Razor-sharp autofocus performance makes the SAL500F40G ideal for capturing an athlete’s explosive movements or the unpredictable flutter of wild birds. The high-torque SSM (Super Sonic wave Motor) features a new drive circuit, ensures rapid, responsive AF with significantly faster object tracking than conventional Sony lenses.

Serious enthusiasts will also welcome a strong emphasis on enhanced handling and ergonomics. Four focus hold buttons are spaced around the lens barrel for easy operation in any position. They’re complemented by a two-way DMF (Direct Manual Focus) mode button and focus range switch for positive, fumble-free operation when you’re shooting under pressure.

Built to order, the SAL500F40G super-telephoto lens from Sony is available from late March 2012.

Technical specifications

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Cosina has announced the Voigtländer Nokton 17.5mm F0.95 manual focus prime lens for the Micro Four Thirds system. The lens gives a 35mm equivalent field-of-view on the system and has been designed with silent, stepless aperture control for videography. The lens offers a wider-angle alternative to the company’s Nokton 25mm F0.95. The Japanese price translates as around $1500. (via DCWatch)

Specifications:

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Nikon has launched the AF-S Nikkor 85mm f/1.8 G, an updated version of its popular moderate telephoto prime lens. The AF-S version of the lens is a completely new optical design and features a built-in focusing motor to allow it to autofocus on all Nikon DSLRs. The lens features an internal focus design and 7 rounded aperture blades. It can focus down to a distance of 80cm (2.6ft). The lens will be available from March 2012 for a price of around $499.

Today, Nikon Inc. announced the addition of the new AF-S NIKKOR 85mm f/1.8G FX-format lens to its legendary line of NIKKOR lenses. The new 85mm is a fast, fixed focal-length lens with medium telephoto capabilities and a large maximum aperture of f/1.8 that is capable of performing a wide variety of imaging tasks with amazing sharpness and clarity.

“Whether a professional photographer who needs extreme sharpness or a photo enthusiast looking for an affordable, lightweight lens with amazing clarity, Nikon photographers appreciate and rely on the vast selection and dependability of NIKKOR lenses for their imaging needs,” said Lisa Osorio, general manager of marketing at Nikon Inc. “The new 85mm f/1.8 is fully optimized for capturing amazing photos and videos, while providing the ability to utilize background blur to compliment the subject of their photo.”

A welcome addition to Nikon’s growing line of versatile prime lenses, the new AF- NIKKOR 85mm is ideal for travel, general photography, low-light, landscape, portraiture and capturing movies with extreme depth of field. The 85mm is designed to capture photos utilizing beautiful image blur achieved due to its large maximum aperture. Furthermore, the lens is lightweight, easy to carry, and provides an equivalent focal length of 127mm when attached to a Nikon DX-format D-SLR camera body.

The construction of the 85mm f/1.8 consists of nine optical elements, with a seven-blade diaphragm which contributes to a substantially more circular bokeh for a natural appearance to out-of-focus background elements. Additionally, instances of lens flare and chromatic aberration are suppressed using Nikon’s exclusive Super Integrated Coatings, which also help ensure vividly accurate color balance.

The new lens also comes equipped with a carefully engineered optical system optimized to deliver superior image quality. The integration of an ultra-compact Silent Wave Motor (SWM) ensures fast, whisper-quiet AF operation, which is essential when recording movies. The 85mm also features two focus modes, M/A (manual-priority autofocus) and M (manual) to further enhance versatility and adapt to a shooters needs. Additionally, Internal Focus (IF) design prevents the front element from rotating, allowing for the use of filters and attachments.

Price and Availability

The lightweight AF-S NIKKOR 85mm f/1.8G will be available in March 2012 for a SRP* of $499.95. For more information, please visit www.nikonusa.com.

To see the new AF-S NIKKOR 85mm f/1.8G lens and other new Nikon products, visit Nikon at the 2012 International Consumer Electronics Show (CES) at booth # 11039 from January 10-13th, 2012 in Las Vegas, NV.

* Suggested retail price listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

Nikon AF-S Nikkor 85mm f/1.8 G specifications

Sigma has announced the APO Macro 180mm F2.8 EX DG OS HSM, an image stabilized telephoto macro lens. The company claim it is the first 180mm macro to combine 1:1 reproduction with an F2.8 maximum aperture. It offers a closest focusing distance of 47cm (18.5 inches) and includes the company’s optical stabilization and ‘FLD’ fluorite-like glass elements. An internal focus design and ring-type HSM focus motor allow full-time manual focus override. Pricing and availability will be announced later.

Sigma Corporation, a leading researcher, developer, manufacturer and service provider of some of the world’s most impressive lines of lenses, cameras and flashes, is pleased to announce the Sigma APO Macro 180mm F2.8 EX DG OS HSM, the world’s first 180mm macro lens that offers a magnification ratio of 1:1 and a large maximum aperture of F2.8.

As the successor to Sigma’s earlier 180mm F3.5 EX DG macro lens, the new APO Macro 180mm F2.8 EX DG OS HSM lens now boasts the company’s proprietary Optical Stabilizer (OS) technology and a wide F2.8 aperture to allow faster shutter speeds for narrow depth of field. With the OS feature, this lens offers the use of shutter speeds approximately four stops slower than would otherwise be possible, enabling handheld close-up photography. Three “F” Low Dispersion (FLD) glass elements, which have a performance equal to fluorite glass, are included to provide correction for color aberrations, and an inner focusing system minimizes aberrations that occur as shooting distances change.

“Our first 180mm macro was very popular with macro photographers and we’re certain that discerning photographers will be very impressed with its new technical and performance upgrades. The Optical Stabilizer technology and faster maximum aperture will make it even easier for users to capture the close-up, intricate details in the tiny world around them,” said Mark Amir-Hamzeh, president of Sigma Corporation of America. “We’ve released some really incredible products in the past year – there’s truly something in our lineup for every type and level of photographer.”

Equipped with the Super Multi-Layer Coating feature, the APO Macro 180mm F2.8 EX DG OS HSM lens reduces flare and ghosting and delivers sharp and high contrast images, even at the maximum aperture. The incorporation of Sigma’s Hyper Sonic Motor (HSM) ensures quiet and high-speed autofocus, as well as full-time manual focus capability. The macro lens has a rounded nine-blade diaphragm to create an attractive blur to the image’s out-of-focus areas. At 1:1 magnification, this lens has a focusing distance of 18.5 inches, which is a greater working distance than shorter focal length macro lenses, making it advantageous when taking pictures of highly sensitive subjects like butterflies.

The announcement was made at the Consumer Electronics Show (CES) 2012 in Las Vegas, NV, where Sigma Corporation is exhibiting this week in the Las Vegas Convention Center’s Central Hall at booth 8960. The company also announced the launch of a new product line and two new lenses that are specifically designed for use with Micro Four Thirds and E-mount mirrorless interchangeable lens camera systems. The pricing and availability of all of these new lenses are pending.

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Olympus has announced a weather-sealed 12-50mm F3.5-6.3 motor zoom lens with macro capabilities. The M.ZUIKO DIGITAL ED 12-50mm F3.5-6.3 EZ covers the 24-100mm equivalent range and is optimized for video capture. It offers multi-speed powered zooming with a manual zoom option. It also has an AF-hold button (marked as L-Fn) that suspends AF to avoid re-focusing on the wrong object. It is the first Micro Four Thirds lens to feature the same level of sealing as the company’s high-end SHG lenses for Four Thirds DSLRs.

Olympus adds to its powerfully simple and growing PEN family with the first fully-compatible interchangeable Micro Four Thirds lens to incorporate an electronic motorized zoom. The M.ZUIKO DIGITAL ED 12-50mm F3.5-6.3 EZ (35mm equivalent 24–100mm) delivers smooth, quiet zooming that gives you versatility, portability and maximizes the performance of the Olympus PEN^® compact system cameras.

The sophisticated new lens has a zoom ratio of approximately 4.2x, allowing photographers to capture anything from detailed, wide-angle group shots to medium telephoto-range images so you can get up close and personal for intimate portraits of children and pets – even indoors. The photographer can control the zooming speed by turning the barrel – slowly for drama, quickly for performance, or at an intermediate rate. Manual zooming is also available for those looking to take full control.

In macro mode, which can be set by pushing the zoom ring forward while depressing the macro button on the side of the lens, focusing is possible between 8 and 20 inches for close-up shooting with a maximum image magnification of 0.72X (35mm camera equivalent). The L-Fn (Lens Function) button suspends the autofocusing operation temporarily to avoid unintended focusing on obstacles that appear suddenly between the camera and the subject.

Perfect for brilliant still images and high-definition (HD) video capture, the Movie & Still Compatible (MSC) M.ZUIKO DIGITAL ED 12-50mm F3.5-6.3 EZ has also been enhanced with a linear motor that drives smooth and quiet autofocusing for stress-free shooting.

New lens elements and glass materials ensure the clearest possible imaging performance, and the proven dust and splashproof mechanism originally featured in the Four Thirds SHG (Super High Grade) series lenses is now incorporated for the first time in a Micro Four Thirds System lens. Multiple sealing rings, fitted throughout the lens body, prevent water splashes and dust from penetrating, making the M.ZUIKO DIGITAL ED 12-50mm f3.5-6.3 EZ a versatile zoom lens for the toughest conditions.

U.S. Pricing and Availability

M.ZUIKO DIGITAL ED 12-50mm f3.5-6.3 EZ: Available Mid-January 2012

Estimated Street Price: $499.99

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Nikon has released firmware updates for its Nikkor 1 10-30mm f/3.5-5.6, 30-100mm f/3.8-5.6 and 10-100mm f/4.5-5.6 lenses. The 10-30mm and 30-100mm lenses are upgraded to firmware v1.02, which corrects a bug which causes an incorrect aperture value to be recorded. Meanwhile the 10-100mm power zoom firmware moves to v1.01 that, like the 1.01 upgrades for the other two lenses, addresses a problem by which images could ‘be blurred when shot immediately after the camera was shaken or moved quickly’.

Click here to download L firmware v1.02 for the 1 Nikkor VR 10-30mm f/3.5-5.6

Click here to download L firmware v1.02 for the 1 Nikkor VR 30-100mm f/3.8-5.6

Click here to download L firmware v1.01 for the 1 Nikkor VR 10-100mm f/4.5-5.6 PD Zoom